Sunday, November 30, 2008

4 books

"Drown" by Junot Diaz was a gift from a student and her family, OK, let's say Bora. I liked the fact that it shared a title with a song that made me fall head-over-heals in love with music as a teenager and liked the font on the cover (courier). I devoured it, searching for meaning, searching for understanding. From my paradigm, it was a novel that followed a Latino(?) man who immigrated to the US, no in the next chapter, is this about his dad? next chapter... is this about maybe his brother or his brother's drug-dealing girlfriend? next chapter: we're back in the Dominican Republic, so I think this is like maybe his sub-conscious self imagining what life would be like if he hadn't left the DR, no..... now we're in Florida.... waiting for these characters to connect or something, is this chapter about his father? Well, like a dummy, when I finally finished the book and felt like the novel really never connected the dots from chapter to chapter, like the genius that I am I read the back of the book, which explained to me that this was a collection of short stories about males from the Dominican Rebublic and their immigration stories. Ooooooh, so it wasn't a novel at all and that wasn't the same guy! That explains why the main character had different names in every chapter, was different ages (though in different decades), and (in one chapter) had his face eaten off by swine as an infant and believed he had super-human strength (only to have his face and mortal abilities back in the next chapter). Oh, I get it- those weren't chapters in a novel, but separate short stories: stand-alone. Despite the confusion, upon this back-of-the-book epiphany, I loved the book, felt like I had been a part of several families, and lived several lifetimes. Highly recommended. Highly humbling experience.

Given as a gift by my sister-in-law, "Tree of Smoke A Novel" by Dennis Johnson (author of "Jesus' Son" I didn't know that until I googled it just now, did you?) has been on my bedside table, shoulder pack, and toilet tank for over 6 months. I'm not gonna pretend. It was the longest book I've ever read. Followed about 20 characters on separate sub-chapters over the course of 20 years, the central-most character being a young CIA agent who essentially organized 3x5 cards in a card catalog at a villa in remote Viet Nam during the war. No hero, no plot line or story, just slices of life from 20 characters. No hero, just bystanders. Yet I liked it, entered a different world in my innermost mind. Willing to admit that I might not have fully understood it or that it honestly might have been smarter than me.

(NOTE: I am an educated person and hold both graduate and post graduate certificates despite the fact I did not understand the two aforementioned books, which laugh at me from a shelf I built with my own hands.)

Back to my comfort zone on my week off, snuggling up with Cormac McCarthy and the stomach flu to read "Child of God". Format: western. Reading level: Gid. Premise is blown in the first paragraph- we are all children of God, even the worst of us, even the main character who is a hermit and serial killer and, later, cave dweller. Protagonist as anti-hero. You get it. I loved it. It speaks to me with American language. Done in two days, restoring my confidence after months with the same book.





Now onto "To Live's to Fly: The Ballad of the Late, Great Townes Van Zandt" by John Kruth, a present from Sissy. Just read the introduction under my bedside lamp after an SNL re-run and was moved to write this blog entry about this intro and the last few books I've read and the common theme of anti-hero throughout. This fella's book is about an anti-hero: Townes Van Zandt- rogue singer-songwriter. Yet in the intro to his own book, Kruth sites his beginnings as a creative person and biographer as being spawned by Mickey Mantle, Willy Mayes, and the Beatles. Yeah, you and everybody else my parents' age. Where's the danger? How does the hero turn out to write a book about an anti-hero like TVZ? I loved music like Delta Heymax and thebrotheregg and resent stories about how "life-changing" the Beatles were. That's nice that they changed your life, but they changed every single other American teenager's life in exactly the same way at exactly the same minute of payola-bought airtime. In other words, to sum up this whole thing, here- who is the anti-hero? who gets to write about him? I think heroes get to write about anti-heroes, which is an extreme paradox that hopefully I'll come to understand better than I understand half of the books I read. But for now, though, I'm looking forward to this book about Townes- a songwriter who speaks to me in the most basic American voice and language.

Saturday, October 25, 2008

The Elected

In a comment from another post, Ch mentioned I might like the new Jenny Lewis record. Jenny Lewis is the frontwoman of indie darlings / LA hipsters / former child actors Rilo Kiley. And while I have heard some cuts of the Lewis record, I've been really into the side project of the other songwriter/former child star in Rilo Kiley- Blake Senate. His band: The Elected. The Album: "Sun, Sun, Sun". Pretty good. $2.95 at Amoeba. There's one song that will be on all the mix tapes I make this year called "Did Me Good" and it's fantastic.


The Elected's "Not Going Home"


some Jenny Lewis on a kids show

Wednesday, October 08, 2008

TV (netflix) Recommendation

A lot of my friends like the WIRE and/or MAD MEN and I wanted to precommend this show called Flight of the Conchords because it shares actors from the aforementioned shows.

Kristen Schaal plays a telephone dispatch person on Mad Men, but also plays Mel, the band's stalker and only fan on Flight of the Conchords.
David Costabile plays a newspaper editor on the Wire, but first played Doug, Mel's husband, on Flight of the Conchords.
It's pretty much like a mix between Mad Men and Wire.

Thursday, September 18, 2008

talking heads


Been listening to the "Best of" the Talking Heads and among the songs I didn't know before but love is "This Must Be The Place (Naive Melody)" and the line:

"It's O.K. I know nothing's wrong."

... sticks out to me. I wait for it every time. How reassuring.

(highly recommended record)

Monday, September 08, 2008

The Wire: just a thought

Here's a thought:

Lester Freeman is "The Wire". In other words, he is what the title refers to. Of course there is the literal wire tap that goes on, but Lester is the one who puts it up. He is also a catalyst or an inner-antagonist... the ominous cheshire cat who insights the other characters. I'm suggesting that Freeman is the unsuspecting, unexpected central character.
Discuss.

Wednesday, August 20, 2008

Telegraph

Anybody seen Joke Man lately?

Man, Telegraph is really falling apart.

Sunday, August 10, 2008

A Skin, A Night

I got this a while back- a double disc of a documentary DVD about The National making "Boxer" called "A Skin, A Night" and an audio CD of B-sides, demos, and live tracks called "The Virginia EP". It is an unusual package showing a cover for the film on one side and a cover for the CD on the other. I saved the movie until I could watch it with some friends who were also interested, which I did a couple nights ago.

The DVD:

This is hardly a documentary. Just some footage of the National recording their masterpiece, but in the most mundane way (which is how recording is done), showing things like the bassist recording his plunk plunk plunk bass line to a tick tick tick clicktrack. This might be interesting to someone who's never seen recording done, but this kind of stuff is supper boring to me. This is supplemented by arty subway footage and psychedelic color swirls and photoshop tricks. The problems with this movie: 1. No narration. 2.During the arty 5-minute subway scenes, there would be no sound (?) , which left me and my four friends sitting in awkward silence watching the screen basically change colors like sunspots.... without any sound. If you're going to put sort of a visual art abstract piece for 10 excruciating minutes in the middle of a music documentary, play some music for corn sake!

The EP:

Not sure why they're calling this an EP, it has 12 songs on it. But they're brilliant. Well worth the price, even iff the movie is a toss-away. As a fan, I love the idea of collecting "lost songs" on hard copy (long live the CD!). Love this collection ending with the song "About Today", which asks the question, "How close am I... to losing you?" and contains the universally familiar dialog:

Hey, are you awake?
Yeah I'm right here.
Well, can I ask you about today?

Love that. Love the National's honesty. It kind of crescendos and the audience claps along and it's great. Great. Great. Great.

Friday, August 08, 2008

Pretty Amazing Performance



P.S. Has anyone tried backwards devilhorns yet?

Thursday, August 07, 2008

Raise your hand...

...if you remember these Hamm's beer commercials on Saturday morning cartoons.

Tuesday, August 05, 2008

Fleet Foxes- "fleet foxes" review


This Fleet Foxes record was recommended to me by my friend, Ch, who always has some great music tips (but also loves the new Mariah Carey record). Well, at first I checked it out online and really wasn't that into the Fleet Foxes. They sort or sound like Band of Horses or My Morning Jacket (the cool kids say "MMJ"), but it never hits. You know the band never crashes in. Being a child of the late 80s and early 90s, I wait for every song to hit- for that moment when the chorus bursts in and I put up backwards devil horns (backwards devil horns are so much more satisfying- try it!). This never happens on the Fleet Foxes self-titled record. So I reported back to Ch that Fleet Foxes just didn't do it for me.

Later I was listening to my favorite podcast, All Songs Considered, and they featured a live performance of Fleet Foxes and I got super into it. No, it never hits. But the Fleet Foxes develop their anti-hooks around polyrhythms, unconventional song structures, and dark vocal harmony arrangements. In fact, this is a vocal record, where the instruments aren't really that essential and the unusual chords that the 3-4 vocalists make are very unusual- in the same way that Midlake had those crazy early Fleetwood Mack harmonies.

Anyway, after listening to the live performance, I was sold and bought the record yesterday. It's been on repeat rotation and we even played it at low volume while having dinner guests and it worked as great dinner music, because it sounds kind of like choral music. I really dig the whole other-wordly vibe that the lyrics give off. Again, it's very Midlake-ish in that way. It makes you feel like you're out in the woods in medieval times foraging for berries and herbs. So, I was wrong, the Fleet Foxes are right.

Monday, August 04, 2008

GOURDICULTURE !

Dear faithful readership,

I've decided to branch out and launch a new blog documenting my adventures and misadventures in growing gourds, curing them, and turning them into a variety of musical instruments. Rather than cluttering this, my music blog, with gardening info- I've decided to create a new blog called:

GOURDICULTURE

http://gourdiculture.blogspot.com/

Hayden: "in field and town" review

Hayden is one of those guys I've followed since I was a teenager. He's sort of the Canadian David Bazaan (of Pedro the Lion) with a Heart-of-Gold-era Neil Young thing going on. I've bought basically everything he's put out, which all has the common threads of being a little folky, all instruments recorded and performed by himself, bedroom-pop feel, etc., but this record was slated to be his "rock record" by journalists/bloggers. This album does not rock. It rolls in the way that Hayden must have rolled out of bed to press the record button while making this record. And that's not to put down the album. It just lulls at the same pace the last few records did and does not achieve the exititng variances of his first two full-lengths (1995's "Everything I Long For" had a Tom Waits rasp and 1998's "The Closer I Get" had sort of an indie-rock Pedro the Lion/Bedhead feel).

"Field and Town's" strong pieces are "Damn This Feeling", which is a simple piano tune where you can actually hear the pedal mechanism inside the piano (sounds like he stuck the mic right in the top of the upright), and the synth in "Worthy of your Esteem" provided the one fresh element on the record. "Did I Wake up Beside You?" has a syncopated electric guitar upstroke that pays homage to Neil's "Southern Man" The disappointment here is "Lonely Security Guard" whic fits the story-telling that Hayden likes to do, but it seems ill-conceived.

Folks, my recommendation is to go out and buy Hayden's "Live at Convocation Hall". It's a double disc live record that covers his best prior to 2002. I've written before on this blog that sometimes live records are better than "best-of" records and this is a fine example. It's just Hayden and a home-town crowd and the interaction between them. A wonderful double-record that I take on road trips and that I strongly recommend to those wanting to check out Hayden.

Friday, August 01, 2008

Friday, July 25, 2008

Saturday, July 12, 2008

The National "Alligator"


I got into this band through their newest release, "Boxer". It made my top ten for 2007. Now I'm dipping into The National's back catalog and lovin it.

"Alligator" finds the instruments coming to the foreground a little more- with more memorable guitar and piano parts, as apposed to the quagmire of sound on "Boxer". At times the band sounds like like early U2 (and folks, it's a musical fact that the first 3 U2 albums are better than their last 4 albums, hands down).

Lyrically, Matt Berninger is a little more Bukowski-esque on this one. But what could be confused as chauvinism is probably a little more like honesty or confession.

Great album. Really into this band right now.

Monday, June 30, 2008

James Taylor (LIVE) 1993

Sometimes Live albums are better than "greatest hits" albums. It's true in JT's case. This is an old double album my parents used to have. Some really great stuff here like the lead-off track, "Sweet Baby James", which is a personal favorite. The country classic George Jones-penned "She Thinks I Still Care" glides along with depth and experience and a funny twist that is apparent upon onset. "Slap Leather" is sort of a JT-style honky-tonk blues song in the finger-pointing/list style of "We Didn't Start the Fire" or "It's the End of the World (and we know it)" ahead of it's time, apposing the Gulf War (I mean the first one) and discussing the phenomenon of phone sex. "Steam Roller Blues" is essential James Taylor and show his breadth and culture-crossing authenticity. It's a bad-ass song with intensity and sexual energy. Each song here is a better version than the studio recordings, which, for JT have always been a little stale unitl the mid 90s.

Humor. Depth. Breadth. Range. and a beautiful voice.

and Amoeba is selling em used for like $6.

"I'm a duh-duh-duh-d-d-d-d-demolition derby boy, baby."

Sunday, June 29, 2008

No, I don't work here.

I don't know if this happens to you, but on an extremely regular basis I am approached by fellow shoppers while I'm minding my own business- doing my own shopping, and am mistaken for a store employee and asked for assistance. This happens at a variety of stores; some you'd expect and some you wouldn't.

Sometimes I am asked, "Do you work here?" and sometimes the costumer just makes their request known from the get-go, like "Where would I find Van Halen?" or "Can you have the forklift guys bring down another pallet of two-by-tens?" and "Do you know you're all out of the organic cran-raspberry juice?" ....to which I often reply simply, "Sorry, I don't work here." But the truth is, I usually can answer their question and if I'm in the right mood I just help them out without saying anything about not really being employed there.

Wednesday, June 18, 2008

Happy Father's Day from Weezer... not

The day after Father's Day, Jill sorta gave me my own father's day on my day off by taking me to the record store- my favorite place. Two Amoeba Records gift certificates were burning a hole in my pocket. Why the gift certificates? Well, my appetite for collecting records does not match my income bracket, so there are two times a year (Christmas and the end of the school year) when gift certificates from my students to big-box book stores and local record stores allow me to indulge... and yes, I spend my book store gift cards on CDs.

Anyway, one of the discs I planned to purchase at Amoeba was Weezer's new "Red Album". I've been a huge fan ever since their first single hit alternative radio (didn't radio used to be so different?). I've collected everything they have- singles, eps, deluxe editions. When we got there, I went straight to the W's and found a special edition digi-pack with bonus tracks. Then I sensed a disturbance in the force. Really terrible music was being played over the PA system and wafted into my ears like stink into a nose. And when I honed in to identify it (a gift I have), I realized it was the very album I was holding. Still, I kept it with me as I looked for how to use the remainder of my gift certificates, hoping that song was just a fluke. But song after song fell flat. I was almost embarrassed for them. I was willing to overlook the cover art I could only describe as weak sauce, but these songs were silly, ill-conceived, adolescent, overly tongue-in-cheek, and every note of it betrayed the way we felt when we listened to "In the Garage" from our own garages in highschool.

My eyes met Jill's from across the record store the way that two strangers do in the movies, when their eyes lock for the very first time and they know it's love. Except this time, the way I knew it was love is that we both mouthed the words, "This is terrible!" at the same time.

I put it back on the rack, feeling the way Wendy must have felt when she left Peter Pan behind. Sorry guys. I've grown up and you haven't.

Monday, June 16, 2008

Vampire Weekend: world's 1st double gimmick band


It's not like me to fall for the "IT" band. It was never my style to have a crush on the popular girl. If I watch sports, I like to root for the underdog or the team that's losing (especially if they have better uniforms or prettier colors). So when Vampire Weekend became Pitchfork's little wunderkinder, I was kind of grossed out. I don't like "IT" bands and I don't like gimmick bands. But, truth be told, I loved a track called "A Punk" that a friend put on a mix CD for me, however swore I would not give in.

And alas, I caved (and for good reason) when I read and podcasted some critique of the album that I felt was off-base. Music journalists were criticizing either VW's borrowing of South African lead guitar style (popularized by Paul Simon's "Graceland") or criticizing them for focusing, lyrically, on sort of a preppy North-Eastern ivy league theme. I think what these journalists do not get is that this is a double gimmick band! And besides that, the two gimmicks are very juxtaposed. Think about it- South African guitars (that means usually means a sound made by using a neck position humbucking pickup with a little chorus and a little slap-back playing fast and melodic single-note runs that are often poly-rhythmic) and rhythms juxtaposed with songs about preppy life in the Hamptons. Hell, there's a song called "Cape Cod Kwassa Kwassa". Genius!

There are songs about people named Walcott and Bryn, places like Cape Cod and Hyannisport, and name-drop things like Colors of Bennetton, Ivy League schools, Louis Vuitton, authors and painters I've never heard of, etc. The liner notes even contain a picture of a pair of white leather deck shoes! And all this against this shanty-town style South African guitar. It's brilliant.

Jill and I listen to it over and over again. Lilly dances to it more than any other record. And we have anew favorite song with every listen. But I think my standing favorite is "Campus" which has a chorus I can picture Morrissey singing and a bridge with the simple words, "In the afternoon, you're out on the stone and grass. And I'm sleeping on the balcony after class." that I just love and somehow remind me of Chabot junior college. The song also contains a tinge of 90's indie rock that I can't really place.


Friday, June 13, 2008

Mandolin Project

A friend loaned me this mandolin she found in a family member's closet with the sole condition being that I fix it up and put it to good use. Well arright. This is a very cool instrument and a very fun challenge. Here are some pictures of the mandolin and my restoration project. Note: super cool tweed custom case not shown.

Here is the mandolin with the bridge and tuning pegs removed. Replacement pegs shown. Two of the "original" (they're old, but probably not the original tuners) tuning machines did not work, so the main task here is to get them working in order for the instrument to be playable.

When I went to replace the tuning pegs, I realized that the holes in the headstock are slightly too small for modern pegs. Maybe they were metric or something. In order to fit the standard US pegs, I had to bore out the existing holes to widen them.

This is just a cool picture that shows how, at one time, someone had glued on a cheat sheet to the fretboard that showed the exact note of each fret on each string. Over time the paper has disintegrated. Very cool.

Current status: Still working on getting the new tuning machines to line up with the original holes. Takes some coaxing and finding just the right size screws to "suck up" the machines to the back of the headstock. Will post updates soon.