(NOTE: I am an educated person and hold both graduate and post graduate certificates despite the fact I did not understand the two aforementioned books, which laugh at me from a shelf I built with my own hands.)
Sunday, November 30, 2008
4 books
(NOTE: I am an educated person and hold both graduate and post graduate certificates despite the fact I did not understand the two aforementioned books, which laugh at me from a shelf I built with my own hands.)
Saturday, October 25, 2008
The Elected
The Elected's "Not Going Home"
some Jenny Lewis on a kids show
Wednesday, October 08, 2008
TV (netflix) Recommendation
A lot of my friends like the WIRE and/or MAD MEN and I wanted to precommend this show called Flight of the Conchords because it shares actors from the aforementioned shows.
Kristen Schaal plays a telephone dispatch person on Mad Men, but also plays Mel, the band's stalker and only fan on Flight of the Conchords.
David Costabile plays a newspaper editor on the Wire, but first played Doug, Mel's husband, on Flight of the Conchords.
It's pretty much like a mix between Mad Men and Wire.
Kristen Schaal plays a telephone dispatch person on Mad Men, but also plays Mel, the band's stalker and only fan on Flight of the Conchords.
Thursday, September 18, 2008
talking heads
Monday, September 08, 2008
The Wire: just a thought
Lester Freeman is "The Wire". In other words, he is what the title refers to. Of course there is the literal wire tap that goes on, but Lester is the one who puts it up. He is also a catalyst or an inner-antagonist... the ominous cheshire cat who insights the other characters. I'm suggesting that Freeman is the unsuspecting, unexpected central character.
Discuss.
Wednesday, August 20, 2008
Sunday, August 10, 2008
A Skin, A Night
I got this a while back- a double disc of a documentary DVD about The National making "Boxer" called "A Skin, A Night" and an audio CD of B-sides, demos, and live tracks called "The Virginia EP". It is an unusual package showing a cover for the film on one side and a cover for the CD on the other. I saved the movie until I could watch it with some friends who were also interested, which I did a couple nights ago.
The DVD:
This is hardly a documentary. Just some footage of the National recording their masterpiece, but in the most mundane way (which is how recording is done), showing things like the bassist recording his plunk plunk plunk bass line to a tick tick tick clicktrack. This might be interesting to someone who's never seen recording done, but this kind of stuff is supper boring to me. This is supplemented by arty subway footage and psychedelic color swirls and photoshop tricks. The problems with this movie: 1. No narration. 2.During the arty 5-minute subway scenes, there would be no sound (?) , which left me and my four friends sitting in awkward silence watching the screen basically change colors like sunspots.... without any sound. If you're going to put sort of a visual art abstract piece for 10 excruciating minutes in the middle of a music documentary, play some music for corn sake!
The EP:
Not sure why they're calling this an EP, it has 12 songs on it. But they're brilliant. Well worth the price, even iff the movie is a toss-away. As a fan, I love the idea of collecting "lost songs" on hard copy (long live the CD!). Love this collection ending with the song "About Today", which asks the question, "How close am I... to losing you?" and contains the universally familiar dialog:
This is hardly a documentary. Just some footage of the National recording their masterpiece, but in the most mundane way (which is how recording is done), showing things like the bassist recording his plunk plunk plunk bass line to a tick tick tick clicktrack. This might be interesting to someone who's never seen recording done, but this kind of stuff is supper boring to me. This is supplemented by arty subway footage and psychedelic color swirls and photoshop tricks. The problems with this movie: 1. No narration. 2.During the arty 5-minute subway scenes, there would be no sound (?) , which left me and my four friends sitting in awkward silence watching the screen basically change colors like sunspots.... without any sound. If you're going to put sort of a visual art abstract piece for 10 excruciating minutes in the middle of a music documentary, play some music for corn sake!
Not sure why they're calling this an EP, it has 12 songs on it. But they're brilliant. Well worth the price, even iff the movie is a toss-away. As a fan, I love the idea of collecting "lost songs" on hard copy (long live the CD!). Love this collection ending with the song "About Today", which asks the question, "How close am I... to losing you?" and contains the universally familiar dialog:
Hey, are you awake?
Yeah I'm right here.
Well, can I ask you about today?
Love that. Love the National's honesty. It kind of crescendos and the audience claps along and it's great. Great. Great. Great.
Yeah I'm right here.
Well, can I ask you about today?
Friday, August 08, 2008
Thursday, August 07, 2008
Tuesday, August 05, 2008
Fleet Foxes- "fleet foxes" review
This Fleet Foxes record was recommended to me by my friend, Ch, who always has some great music tips (but also loves the new Mariah Carey record). Well, at first I checked it out online and really wasn't that into the Fleet Foxes. They sort or sound like Band of Horses or My Morning Jacket (the cool kids say "MMJ"), but it never hits. You know the band never crashes in. Being a child of the late 80s and early 90s, I wait for every song to hit- for that moment when the chorus bursts in and I put up backwards devil horns (backwards devil horns are so much more satisfying- try it!). This never happens on the Fleet Foxes self-titled record. So I reported back to Ch that Fleet Foxes just didn't do it for me.
Later I was listening to my favorite podcast, All Songs Considered, and they featured a live performance of Fleet Foxes and I got super into it. No, it never hits. But the Fleet Foxes develop their anti-hooks around polyrhythms, unconventional song structures, and dark vocal harmony arrangements. In fact, this is a vocal record, where the instruments aren't really that essential and the unusual chords that the 3-4 vocalists make are very unusual- in the same way that Midlake had those crazy early Fleetwood Mack harmonies.
Anyway, after listening to the live performance, I was sold and bought the record yesterday. It's been on repeat rotation and we even played it at low volume while having dinner guests and it worked as great dinner music, because it sounds kind of like choral music. I really dig the whole other-wordly vibe that the lyrics give off. Again, it's very Midlake-ish in that way. It makes you feel like you're out in the woods in medieval times foraging for berries and herbs. So, I was wrong, the Fleet Foxes are right.
Monday, August 04, 2008
GOURDICULTURE !
Dear faithful readership,
I've decided to branch out and launch a new blog documenting my adventures and misadventures in growing gourds, curing them, and turning them into a variety of musical instruments. Rather than cluttering this, my music blog, with gardening info- I've decided to create a new blog called:
GOURDICULTURE
http://gourdiculture.blogspot.com/
I've decided to branch out and launch a new blog documenting my adventures and misadventures in growing gourds, curing them, and turning them into a variety of musical instruments. Rather than cluttering this, my music blog, with gardening info- I've decided to create a new blog called:
GOURDICULTURE
http://gourdiculture.blogspot.com/
Hayden: "in field and town" review
"Field and Town's" strong pieces are "Damn This Feeling", which is a simple piano tune where you can actually hear the pedal mechanism inside the piano (sounds like he stuck the mic right in the top of the upright), and the synth in "Worthy of your Esteem" provided the one fresh element on the record. "Did I Wake up Beside You?" has a syncopated electric guitar upstroke that pays homage to Neil's "Southern Man" The disappointment here is "Lonely Security Guard" whic fits the story-telling that Hayden likes to do, but it seems ill-conceived.
Folks, my recommendation is to go out and buy Hayden's "Live at Convocation Hall".
Friday, August 01, 2008
Amazing Starflyer 59 quote for their near-perfect album, "Americana"
"Time is all you need when you stop to think."
Friday, July 25, 2008
Saturday, July 12, 2008
The National "Alligator"
I got into this band through their newest release, "Boxer". It made my top ten for 2007. Now I'm dipping into The National's back catalog and lovin it.
"Alligator" finds the instruments coming to the foreground a little more- with more memorable guitar and piano parts, as apposed to the quagmire of sound on "Boxer". At times the band sounds like like early U2 (and folks, it's a musical fact that the first 3 U2 albums are better than their last 4 albums, hands down).
Lyrically, Matt Berninger is a little more Bukowski-esque on this one. But what could be confused as chauvinism is probably a little more like honesty or confession.
Great album. Really into this band right now.
Monday, June 30, 2008
James Taylor (LIVE) 1993
Humor. Depth. Breadth. Range. and a beautiful voice.
and Amoeba is selling em used for like $6.
"I'm a duh-duh-duh-d-d-d-d-demolition derby boy, baby."
Sunday, June 29, 2008
No, I don't work here.
I don't know if this happens to you, but on an extremely regular basis I am approached by fellow shoppers while I'm minding my own business- doing my own shopping, and am mistaken for a store employee and asked for assistance. This happens at a variety of stores; some you'd expect and some you wouldn't.
Sometimes I am asked, "Do you work here?" and sometimes the costumer just makes their request known from the get-go, like "Where would I find Van Halen?" or "Can you have the forklift guys bring down another pallet of two-by-tens?" and "Do you know you're all out of the organic cran-raspberry juice?" ....to which I often reply simply, "Sorry, I don't work here." But the truth is, I usually can answer their question and if I'm in the right mood I just help them out without saying anything about not really being employed there.
Sometimes I am asked, "Do you work here?" and sometimes the costumer just makes their request known from the get-go, like "Where would I find Van Halen?" or "Can you have the forklift guys bring down another pallet of two-by-tens?" and "Do you know you're all out of the organic cran-raspberry juice?" ....to which I often reply simply, "Sorry, I don't work here." But the truth is, I usually can answer their question and if I'm in the right mood I just help them out without saying anything about not really being employed there.
Wednesday, June 18, 2008
Happy Father's Day from Weezer... not
Anyway, one of the discs I planned to purchase at Amoeba was Weezer's new "Red Album". I've been a huge fan ever since their first single hit alternative radio (didn't radio used to be so different?). I've collected everything they have- singles, eps, deluxe editions. When we got there, I went straight to the W's and found a special edition digi-pack with bonus tracks. Then I sensed a disturbance in the force. Really terrible music was being played over the PA system and wafted into my ears like stink into a nose. And when I honed in to identify it (a gift I have), I realized it was the very album I was holding. Still, I kept it with me as I looked for how to use the remainder of my gift certificates, hoping that song was just a fluke. But song after song fell flat. I was almost embarrassed for them. I was willing to overlook the cover art I could only describe as weak sauce, but these songs were silly, ill-conceived, adolescent, overly tongue-in-cheek, and every note of it betrayed the way we felt when we listened to "In the Garage" from our own garages in highschool.
My eyes met Jill's from across the record store the way that two strangers do in the movies, when their eyes lock for the very first time and they know it's love. Except this time, the way I knew it was love is that we both mouthed the words, "This is terrible!" at the same time.
I put it back on the rack, feeling the way Wendy must have felt when she left Peter Pan behind. Sorry guys. I've grown up and you haven't.
Monday, June 16, 2008
Vampire Weekend: world's 1st double gimmick band
It's not like me to fall for the "IT" band. It was never my style to have a crush on the popular girl. If I watch sports, I like to root for the underdog or the team that's losing (especially if they have better uniforms or prettier colors). So when Vampire Weekend became Pitchfork's little wunderkinder, I was kind of grossed out. I don't like "IT" bands and I don't like gimmick bands. But, truth be told, I loved a track called "A Punk" that a friend put on a mix CD for me, however swore I would not give in.
And alas, I caved (and for good reason) when I read and podcasted some critique of the album that I felt was off-base. Music journalists were criticizing either VW's borrowing of South African lead guitar style (popularized by Paul Simon's "Graceland") or criticizing them for focusing, lyrically, on sort of a preppy North-Eastern ivy league theme. I think what these journalists do not get is that this is a double gimmick band! And besides that, the two gimmicks are very juxtaposed. Think about it- South African guitars (that means usually means a sound made by using a neck position humbucking pickup with a little chorus and a little slap-back playing fast and melodic single-note runs that are often poly-rhythmic) and rhythms juxtaposed with songs about preppy life in the Hamptons. Hell, there's a song called "Cape Cod Kwassa Kwassa". Genius!
There are songs about people named Walcott and Bryn, places like Cape Cod and Hyannisport, and name-drop things like Colors of Bennetton, Ivy League schools, Louis Vuitton, authors and painters I've never heard of, etc. The liner notes even contain a picture of a pair of white leather deck shoes! And all this against this shanty-town style South African guitar. It's brilliant.
Jill and I listen to it over and over again. Lilly dances to it more than any other record. And we have anew favorite song with every listen. But I think my standing favorite is "Campus" which has a chorus I can picture Morrissey singing and a bridge with the simple words, "In the afternoon, you're out on the stone and grass. And I'm sleeping on the balcony after class." that I just love and somehow remind me of Chabot junior college. The song also contains a tinge of 90's indie rock that I can't really place.
Friday, June 13, 2008
Mandolin Project
A friend loaned me this mandolin she found in a family member's closet with the sole condition being that I fix it up and put it to good use. Well arright. This is a very cool instrument and a very fun challenge. Here are some pictures of the mandolin and my restoration project. Note: super cool tweed custom case not shown.
Here is the mandolin with the bridge and tuning pegs removed. Replacement pegs shown. Two of the "original" (they're old, but probably not the original tuners) tuning machines did not work, so the main task here is to get them working in order for the instrument to be playable.

When I went to replace the tuning pegs, I realized that the holes in the headstock are slightly too small for modern pegs. Maybe they were metric or something. In order to fit the standard US pegs, I had to bore out the existing holes to widen them.

This is just a cool picture that shows how, at one time, someone had glued on a cheat sheet to the fretboard that showed the exact note of each fret on each string. Over time the paper has disintegrated. Very cool.

Current status: Still working on getting the new tuning machines to line up with the original holes. Takes some coaxing and finding just the right size screws to "suck up" the machines to the back of the headstock. Will post updates soon.
Here is the mandolin with the bridge and tuning pegs removed. Replacement pegs shown. Two of the "original" (they're old, but probably not the original tuners) tuning machines did not work, so the main task here is to get them working in order for the instrument to be playable.

When I went to replace the tuning pegs, I realized that the holes in the headstock are slightly too small for modern pegs. Maybe they were metric or something. In order to fit the standard US pegs, I had to bore out the existing holes to widen them.

This is just a cool picture that shows how, at one time, someone had glued on a cheat sheet to the fretboard that showed the exact note of each fret on each string. Over time the paper has disintegrated. Very cool.

Current status: Still working on getting the new tuning machines to line up with the original holes. Takes some coaxing and finding just the right size screws to "suck up" the machines to the back of the headstock. Will post updates soon.
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